“In mere Time, all things follow one another, and in mere Space all things are side by side; it is accordingly only by the combination of Time and Space that the representation of coexistence arises.” Schopenhauer, 1813
The quotes of Owen Meany throughout the book are written in ALL CAPS, which is an effective technique in print to encapsulate the character’s voice, attitude, and other deeper aspects of who Owen is. I’ve “translated” the CAPS into regular case letters so that it’s not as jarring when reading the excerpt. The Audible narrated version is perfectly done, too. I think he really captures such a unique character.
A Prayer for Owen Meany was a moving book in so many ways, but in an unexpected dimension, the political commentary (mostly against the Vietnam War) still rings so true for our contemporary situation.
“What’s wrong with this country?” he wrote. “There is such a stupid ‘get even’ mentality—there is such a sadistic anger.” He turned on the tv, keeping the volume off; when I woke up, much later, he was still writing in the diary and watching one of those television evangelists—without the sound. “It’s better when you don’t have to listen to what they’re saying,” he said.
In the diary, he wrote: “is this country just so huge that it needs to oversimplify everything? Look at the war: either we have a strategy to ‘win’ it, which makes us—in the world’s view—murderers; or else we are dying, without fighting to win. Look at what we call ‘Foreign Policy’: our ‘Foreign Policy’ is a euphemism for Public Relations, and our Public Relations get worse and worse. We’re being defeated and we’re not good losers.
“selling old Jesus-stories like junk food”
- “and look at what we call ‘Religion’: turn on any television on any Sunday morning! See the choirs of the poor and uneducated—and these terrible preachers, selling old Jesus-stories like junk food. Soon there’ll be an evangelist in the white house; soon there’ll be a cardinal on the Supreme Court. One day there will come an epidemic—I’ll bet on some humdinger of a sexual disease. And what will our peerless leaders, our heads of church and state … what will they say to us? How will they help us? You can be sure they won’t cure us—but how will they comfort us? Just turn on the tv—and here’s what our peerless leaders, our heads of church and state will say: they’ll say, ‘I told you so!’ They’ll say, ‘that’s what you get for fucking around—I told you not to do it until you got married.’ Doesn’t anyone see what these simpletons are up to? These self-righteous fanatics are not ‘religious’—their homey wisdom is not ‘morality.’
“What’s wrong with both of them is that they’re so sure they’re right!”
- “That is where this country is headed—it is headed toward oversimplification.You want to see a president of the future? Turn on any television on any Sunday morning—find one of those holy rollers: that’s him, that’s the new Mister President! And do you want to see the future of all those kids who are going to fall in the cracks of this great, big, sloppy society of ours? I just met him; he’s a tall, skinny, fifteen-year-old boy named ‘Dick.’ He’s pretty scary. what’s wrong with him is not unlike what’s wrong with the tv evangelist—our future president. What’s wrong with both of them is that they’re so sure they’re right! That’s pretty scary—the future, I think, is pretty scary.”
A Prayer for Owen Meany
by John Irving
- From “Business as Usual, During Alterations,”
by Ralf Williams (Astounding Science Fiction, 1958)
- George shook his head slowly. “You’re wrong, John. Not back to where we were. This morning, we had an economy of scarcity. Tonight, we have an economy of abundance. This morning, we had a money economy—it was a money economy, even if credit was important. Tonight, it’s a credit economy, one hundred percent. This morning, you and the lieutenant were selling standardization. Tonight, it’s diversity. The whole framework of our society is flipped upside down.” He frowned uncertainly.
“And yet, you’re right, too. It doesn’t seem to make much difference. It’s still the same old rat race. I don’t understand it.”
I bought a box of SF pulps when I was in my late teens from one of my father’s friends, who kept them in the garage. English editions of Astounding Science Fiction, for the most part. Stories written by authors whose names I barely recognized, despite being a science-fiction reader from about as soon as I could read.
I paid more than I could afford for them.
I suspect that one story paid for all of them, though.
It’s a thought experiment. Until recently I’d forgotten the opening of the story (aliens decide to Mess With Us) but remembered what happened after that.
We’re in a department store. And someone drops off two matter duplicators. They have pans. You put something in pan one, press a button, and its exact duplicate appears in pan two.
We spend a day in the department store as they sell everything they have as cheaply as possible, duplicating things with the matter duplicator, making what they can on each sale, and using checks and credit cards, not cash (you can now perfectly duplicate cash—which obviously is no longer legal tender). Toward the end they stop and take stock of the new world waiting for them, and realize that all the rules have changed, but craftsmen and engineers are more necessary than ever.
They realize that companies won’t be manufacturing millions of identical things, but will need to make hundreds, perhaps thousands, of slightly different things. That their stores will be showrooms for things, and stockrooms will be history. That there will now be fundamental changes in 1950s-style retailing—including, to use a phrase that turned up well after 1958, a long tail.
Being Astounding Science Fiction, the story contains the moral of 95 percent of Astounding Science Fiction stories, which could perhaps be reduced to: people are smart. We’ll cope.
When my friends who were musicians first started complaining sadly about people stealing their music on Napster, back in the 1990s, I told them about the story of the duplicator machines. (I could not remember the name of the story or the author. It was not until I agreed to write this foreword that I asked a friend, via email, and found myself, a Google later, re-reading it for the first time in decades.)
It seemed to me that copying music was not stealing. It was something else. It was the duplicator machine story: you were pressing a button and an object appeared in the pan. Which meant, I suspected, that music-as-object (CD, vinyl, cassette tape) was going to lose value, and that other things—mostly things that could not be reproduced, things like live shows and personal contact—would increase in value.
I remembered what Charles Dickens did, a hundred and fifty years before, when copyright laws meant that his copyrights were worth nothing in the U.S.: he was widely read, but he was not making any money from it. So he took the piracy as advertising, and toured the U.S. in theaters, reading from his books. He made money, and he saw America.
So I started doing Evenings with Neil Gaiman as fund-raisers for the Comic Book Legal Defense Fund, and learning how to do that—how to make an evening interesting for an audience, with just me and a stage and things I’d written, partly because it seemed to me that one day it might not be as easy to make money from selling stories in the traditional way, but that business might still continue more or less as usual, during the alterations, if there were other things I could do.
And so as the nature of music-selling changed utterly and fundamentally, I just stood and watched and nodded. Now the nature of book publishing is changing, and the only people who claim to know what the landscape of publishing will look like a decade from now are either fools or deluding themselves. Some people think the sky is falling, and I do not entirely blame them.
I never worried that the world was ending, because as a teen I’d read a thought experiment in an SF pulp published two years before I was born. It stretched my head.
I know that the view is going to be very different in the future, that authors are going to get their money from different places. I am certain that not all authors can be Charles Dickens, and that many of us became authors in order to avoid getting up on stages in the first place, and that it’s not a solution for everybody or even for most of us.
Fortunately, Cory Doctorow has written this book. It’s filled with wisdom and with thought experiments and with things that will mess with your mind. Once, while we were arguing, Cory came up with an analogy that explained the world we were heading into in terms of mammals and dandelions, and I’ve never seen anything quite the same way since.
Mammals, he said, and I paraphrase here and do not put it as well as Cory did, invest a great deal of time and energy in their young, in the pregnancy, in raising them. Dandelions just let their seeds go to the wind, and do not mourn the seeds that do not make it. Until now, creating intellectual content for payment has been a mammalian idea. Now it’s time for creators to accept that we are becoming dandelions.
The world is not ending. Not if, as Astounding Science Fiction used to suggest, humans are bright enough to think our way out of the problems we think ourselves into.
I suspect that the next generation to come along will puzzle over our agonies, much as I puzzled over the death of the Victorian music halls as a child, and much as I felt sorry for the performers who had needed only thirteen minutes of material in their whole life, and who did their thirteen minutes in town after town until the day that television came along and killed it all.
In the meanwhile, it’s business as usual, during alterations.
Another excerpt: NPR.org
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One thing I’ve found unique to New York (being from the midwest originally), is the occasional street donation of things left behind by people moving. People move so often in this city, that you’re bound to find a good table, fan, or even some clothes and books. Today I came home to see a stack of hardcover books outside my apartment – all in excellent condition – and I couldn’t help but grab four of them!
Thank you, anonymous.
I recently ran into a blog that featured some amazing book illustrations for Don Quixote. Please check out the Brain Pickings Blog for more on the Rojas illustrations. I decided to poke around the web for other works based on Spain’s greatest literary character and found several beautiful and diverse interpretations – some of these are as well-known as the book itself.