Project Planning

Creating “Letters”

I’ve been thinking about starting up another podcast (I had four of them in back in College) and after setting a personal deadline of the end of January, I finally got it together!

You can learn more about the podcast from visiting the site or listening to the introductory episode, but basically it will have a different topic in each episode and feature opinions, perspectives, and thoughts from other people.

Since all the podcast stuff has its own home online, I’d like to briefly share my process for getting everything set up here:


1. Site & Hosting

This was the easiest step for me, because I already have hosting (thanks Dreamhost!) and a domain name set up. I might buy a unique domain name for the podcast, but that’s a bit premature right now. For the time being I set up a sub-domain (anything prefixing the main domain) as letters.robrogan.com.

If you don’t have any of the above, you’ll want to shop around for some affordable hosting and a domain name. Both of these should be super easy to find with Google and I don’t feel like writing a tutorial. ;)

2. Setting up the CMS

A CMS is yet another tech acronym for Content Management System. You’ll have lots of content—blogs, podcasts, etc.—and you’ll want to manage it. WordPress is by far the easiest to set up in my opinion so I’m using that.

With WordPress, you can quickly get it set up to distribute your podcast with a single plugin. There are a few to choose from but so far I recommend: Seriously Simple Podcast. What a godsend. Literally all I had to do was fill in the title of my show, author, description, and a few other pieces of info and it was good-to-go.

There are a few other details that I put into my WordPress, but you should set it up however you like. I’m trying to find a balance between practical, low-maintenance customization with just a dash of unique design. Using the plugin Easy Google Fonts I changed the typeface to a much softer sans-serif called Nunito. Note: I would not recommend using more than one or two web fonts as each font file increases the loading time for your site.

3. Making the Podcast

Well this point could be all sorts of things, but let’s just say that at some point you’ll have to sit down and record some audio, then edit the track, save it as a reasonably sized *.mp3 and upload it to your blog’s “Media” (if using WordPress).

In my case, I have a USB microphone (even a cheap one is a lot better than the built-in source) and I recorded with Adobe Audition. If you don’t have Adobe then Audacity is 100% free and gets the job done. Podcast editing a pretty big topic that is covered elsewhere better than I could here, so I’m not going to go into detail.

4. Album Art, Finishing Touches

People can agonize for hours—nay, days—trying to create the perfect artwork for their show. Right from the start I told myself that it will never be perfect, and it’s not going to ooze symbolism either. Erring on the side of simplicity, I just typed up the podcast name in a few fonts and colors and went from there.

I ended up using a strong serif font for the base, and then I masked-out most of an ornamented font, retaining just a few interesting characteristics, and overlayed that in a bright color. I think it has an interesting effect, so that’s good enough for me! Lastly, I needed something else to give it a bit of weight and not feel like a word just floating in the middle of a square. In addition to adding the two lines (reminiscent of lined paper), I added a thick border so that the light background didn’t get lost in the mix of a white web design or podcast app.

Letters podcast artwork

5. Now It Really Begins

So, setting up all of this was a bit of a chore, but in reality it’s just the beginning. I think the interesting challenge remains in creating each episode, especially if I require the participation of other people. I hope it turns into something great, but if not, it’s been a fun design and build process.


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Musings

Redesigning the Map of the Web

Leverage what information representation can be

It may seem like old news to some, but I very recently got around to reading Frank Chimero’s treatise about the essence of a pixel medium in What Screens Wantand found myself musing about a potential Web that doesn’t conform to our assumptions of what sites and pages are supposed to be made of. I also found myself explaining the whole article to a couple of developer friends that didn’t want to read it themselves.

One key point

The article leverages some historical references with materials in product design, but most convincingly compares the state of the Web as we know it to our centuries-old use of maps.

In the way that a map is a representation of territory, which is likely skewed for one purpose or another, we can use a new one that suits our needs and changing the map doesn’t mean changing the territory. In that same breath, using a different map doesn’t imply the territory was “bad.” The lesson for technology and the Internet here is that we have long since built off of one convenient representation of data, information, and the nature of its exchange. Our concept of a web page is just one map upon the territory of computers and the protocols to connect them.

Chimero quotes Ted Nelson to reiterate our position in the digital world:

“The world is not yet finished, but everyone is behaving as if everything was known. This is not true. In fact, the computer world as we know it is based upon one tradition that has been waddling along for the last fifty years, growing in size and ungainliness, and is essentially defining the way we do everything. My view is that today’s computer world is based on techie misunderstandings of human thought and human life. And the imposition of inappropriate structures throughout the computer is the imposition of inappropriate structures on the things we want to do in the human world.”
— Ted Nelson, creator of hypertext

For more context, I recommend that everyone visits — or revisits — the site. The grand takeaway is that we can and should build something greater/better than than web pages. Not only can information be represented differently, but I think we are just barely touching on how flexibly it can respond to, and be interact with users. Laying back in a metaphorical Summer meadow with arms behind your head and eyes tracing the clouds, I could come up with wilder takes on a new Web, but it may be practical to focus on some softer, more accessible points.

Soft Revisions

Web content should branch off into more applications. While this already happens in mobile environments (perhaps too much so), the trend is inverted on desktop. As a service reaches a critical mass of content+popularity, or if the interaction is constrained by browsers, then it should live in more software than just a handful of browsers. Facebook is a great example of this thinking. Most people are using the app on mobile, but there is only a web interface on desktop. In the early days of twitter, I used the website and SMS to send tweets, but as soon as a desktop application appeared, that became my primary interface with the service. In that respect, it’s almost crazy that Facebook is just a website.

I’m not advocating for a fragmentation of the Internet into hundreds of desktop applications — that would be disastrous on many levels. When user adoption is no longer a huge issue, it could make sense for some sites tomature into internet-based software. Specifically to Facebook, as many people use it so frequently and often for long periods of time, it deserves an option to break out of the browser.

I think there’s a big opportunity for Finance; not necessarily a single bank, but perhaps a broader service (yes, MS Money tried that but I don’t see newanswers). I’m hesitant to list other recommendations, and can already see the counter-arguments, but I prefer to see that as a point of discussion.


Medium Revisions

No pun intended, but…

It’s already apparent that some sites are innovating how we share and interact — Medium.com being one of my favorites, for the side-line commenting that other sites are starting to adopt.

Hyper-specific sharing

I’m putting this in the bucket of “medium” revisions to the Web because it would require a bit more work than what already exists. With this idea I’m taking a note from two existing functions:

  • With Medium’s comment system, you can highlight a string of text, write a comment, and any user that reads the comment also see the same text highlighted again. This is the digital equivalent of pointing your finger to a point on the page that you’re referring to in a detailed discussion, or a well-loved book borrowed from a friend that shows underlines of passages that directly affected your friend.
  • Anchor links are a classic HTML tag that is seeing interesting use in contemporary websites. Long scrolling pages will use anchor link navigation to push users down to a segment in their single page site. Articles will reference specific explanations in a foot note. A List Aparttakes a subtle, but very useful approach by segmenting their articles so that an HTML literate user can share a specific section of the page to someone else. If you visit an article (example), and hover your mouse on a section title, it will display gray #anchor text that you can’t click but — with an experimental mindset — can append to the article URL as a bookmark you’re referencing when shared (example).

Combining the two features above would be a very interesting, and more personal method of sharing. Posting an article link on your social media account might interest a portion of your friends/followers, but it’s open-ended; a suggestion that “hey, you might be interested in this topic.” If you can highlight a paragraph or sentence, and have the page generate a dynamic anchor link to share with someone, that’s direct and suggests more intention. Akin to reading a book across from a friend, and handing it across the table so they can read just that one pithy paragraph, dynamic anchor linking and highlighting the referenced text is an excellent way to rekindle the human connections that seem to be fading away in our “social” media culture lately.


Hard Revisions

This the domain of true revolutionaries

Having been invited — so to speak — to think about an internet that doesn’t run on HTML, PHP, CSS, or any of these languages it has been raised on, I am starting to dream in abstractions. There must be alternative representations of our information-rich landscape, and most of us can only iterate or improve upon the existing system. These scrolling pages with various media buckets — usually requiring some kind of chrome/framework — that fit inside of a screen (if: responsive web design) are our current maps, representations of information.

What about the integration of more user info? Contextual browsing, listing, etc.? This implies some things that exist (foursquare), some things that don’t (the local paper where you’re online), and might be horrible ideas (who wants to read the local paper), but a very thin slice of that implication might be the turning point of something new and amazing.

Break the rules. If you can!

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Musings

Link Drop (5)

Web Design +

— Use Font Icons (not images)
The Era of Symbol Fonts
IcoMoon
We Love Icon Fonts
CSS-Tricks: The Big List of Flat Icons & Icon Fonts
– Web Fonts
FontSquirrel – Free fonts! All kinds
TypeCast
Google Web Fonts
Adobe Typekit

Art +

Taylor McCormick FlickrTaylor McCormick, Photographer
Catrina Dulay data-recalc-dims=Catrina Dulay, Graphic Designer
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-8
-7
-6
-4
-3
Brooklyn Soap CompanyBrooklyn Soap Team, Illustration*
brklynsoap

*The rest of their site is nice too.

Might Be Cool I’m Not Sure +

ListGeeks
Google Street View World – Crazy street view images
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Reblog

Spacing effect explained in 2 minutes — from: Memrise.com/Blog

Sometimes I repurpose entire articles on my website as a method of sharing. I just want to take yet another quick moment to explain that this is done all over social media (Facebook, Twitter Link sharing; Tumblr ‘reblogging’, and other new services ‘re-sharing’). For some reason, it feels plagiaristic to copy text from someone onto my site, so I make every effort to point to my sources. In fact, one of the links in the original article was broken, and this duplication has the correct link (to: “why do we forget?”).

I want to share this blog article with you because it directly relates to my experiences of learning language, and more specifically, I’ve found Memrise to be very useful (and when it works so well, it’s fun too). Memrise, as I’ve blogged about before, leverages current understanding of learning from cognitive psychology and language education; one of the most special ingredients to Memrise getting you to learn a lot of information (that sticks) in a relatively short period of time, is imposing spaced repetition. They explain it better than I do, so without further ado…


memrise blog

Spacing effect explained in 2 minutes

by benwhately on 6 August 2012original article

The spacing effect is one of many bits of science that Memrise uses to make learning as effortless as possible.

Here’s a quick explanation of what it is.

What is the spacing effect? Let’s compare two ways of learning. The first, massed repetition, is when you are repeatedly presented with an item to learn, in a short space of time. The second, spaced repetition, is when you are repeatedly presented with an item, but the repetitions are spaced out. As it turns out, spaced repetition leads to significantly better learning than massed repetition. This is called the spacing effect. The point is that the timing of your reviews makes a substantial difference to the payoff that you get from each review. Spaced out is better than massed.

How was it discovered? This effect was originally discovered by the German psychologist Hermann Ebbinghaus (1850 – 1909). Ebbinghaus created 2300 nonsense syllables and spent six years memorising random strings of them. He diligently tracked all aspects of his learning, and the spacing effect was one of the things that he discovered. The effect has since been replicated a number of times across a number of domains.

Why is the spacing effect the case? That the spacing effect is true is well established, but explaining why it is the case is still an open question.

One proposed explanation is that you are more likely to pay attention in spaced repetition than in massed repetition. If you are shown an item that you saw very recently (massed repetition), you are more likely to see it as familiar, redundant and boring, and so you’re not likely to give it your full attention. On the other hand, if you are shown an item that you last saw a while ago (spaced repetition), your memory of it will be weaker, and so your interest will likely be higher and you’re more likely to pay attention. Given that failure to pay attention is one of the main causes of forgetting, this seems like a plausible explanation of why spaced repetition is more effective than massed repetition.

A second proposed explanation of the spacing effect has to do with context. When talking about memories, context is the huge number of external and internal factors which are present when you form and when you subsequently review a memory. For example, your location when you review an item, the last time you ate, how anxious you feel — these are all part of your context. It’s been found that when you try to remember something, it is easier if your context is similar to what it was when you learned or reviewed it.

Now there is likely to be more fluctuation in context across reviews in spaced repetition than in massed repetition. This means that by using spaced repetition you associate more contexts with a memory and thus create more pathways from which to subsequently access it. The memory becomes robust because it is not tied to a particular context and so you can access it more easily.

Summary The spacing effect is the finding that spaced repetition generally leads to stronger memories than massed repetition. One explanation of this effect is that we pay more attention to material that we haven’t seen for some time, and a second explanation is that spaced repetition embeds an item in our minds across a larger number of contexts. The spacing effect is just one small part of the science behind how Memrise tries to make learning as easy as possible!

For a thorough literature review on the spacing effect and related issues see here.
Memrise logo

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Work

Mount Gay Rum Rebrand

illustration-ageGate
One of my first projects as an Information Architect was to re-architect a new version of the site for Mount Gay Rum. My company is working on a complete rebrand on many levels: label design, posters, printed mailers, film spot, and web. Nearing their 310th anniversary is a historical accomplishment, but unlike tested and traditional fermentation methods, web sites do not age well (especially their last one).

As the only Information Architect in the digital department, my role felt particularly heavy at the beginning of the project. After lots of research and iteration, I am happy to look at the finished product with confidence. Yes, the developers I work with are issuing a new version as I write, and there’s always room for improvement, but I think we’ve taken a big enough first step from where the brand had been these last few years. When the original version of a site is an antiquated Flash experience, it’s hard to do any worse with a new design, but I challenged myself to take this old site as warning that any new design will have to stand the test of time (as much as possible). I had that great privilege to work with a very skilled team and ridiculously talented visual designer, but I can only speak to the functional and organizational aspects of the site, for which I was responsible.

Age Gate


Before:

A legal requirement of alcohol web sites is some proof that the visitor is of legal drinking age. In the old version, you had to click on each box to fill out the form, and find your country from a long drop-down list. Screen shot 2013-02-21 at 11.25.35 AM


After:

Yes, there is still a drop-down list for country selection, but this new version detects your computer’s general location and fills out that part of the form for you. Once you start filling out your date of birth, there’s still no clicking required because your cursor automatically moves from one field to the next – saving your hand the arduous few inches of travel between mouse and keyboard. Mount Gay Rum Age Gate

Home / Initial View


Before:

Once you verify you are over 21, the old flash site presents you with a closed book. You can’t even see any content until you click and drag the book open. Talk about keeping your content at arm’s length! Screen shot 2013-02-21 at 11.26.19 AM


After:

Once past the age gate, visitors are immediately presented with clear navigation and the latest marketing message (in this case, a new line of Rum called Black Barrel). You can immediately go to the product’s detail page, or scroll to explore other sections of the site. Mount Gay Rum Home

Site Navigation


Before:

Not only does the navigation cover the page content, but once you select a page from the menu, it is hidden away like a bookmark behind the book. A perfect example of skeuomorphism at its worst. Screen shot 2013-02-21 at 11.26.40 AM


After:

While auditing the original site content, it became clear that this brand has a story to tell – not in the cliché marketing regard of conveying brand info through storytelling, but Mount Gay Rum very literally has an impressive history to convey, as the true pioneers of rum.

Although a current (2012) trend in web design is the single page website, I do believe it’s most effective for telling a story because the visitor can experience it from start to finish without going anywhere. This approach has a few negatives that I did my best to design around:

Long Scrolls

Problem
A very long scroll might not be a huge bother, but it does factor in your split second cost-benefit analysis when deciding if you want to spend precious time on the page.
Solution
My best effort for dealing with lots of content on a single page is to divide a single story into pieces and then neatly fold these away into their appropriate drawers, or chapter heads.
Especially after my comment on the old home page, you might think I’m creating an obstacle between visitor and content, but I believe the contrary: I am facilitating engagement, because you would be gently introduced into each topic instead of overwhelmed, and – curiosity permitting – you can pick and choose what parts of the story interest you most.

Parallax

Problem
Even more pervasive in the single-page trend is the use of parallax, which can be done well and add an impressive depth to the site’s design, but in most cases it isn’t necessary, and in the worst cases it can be confusing.
Solution
It was decided early on in this project that we wouldn’t implement parallax, but we do rely heavily on large photography and commissioned illustrations to pull your attention down the page. What parallax sites often do well is the use of persistent headers that double as a way-finding tool. In the new design, you can see that the header follows your scroll and highlights the current section you’re viewing. It was my intent that this convey the idea that all content stands on equal footing, freeing your conscience to explore as much as you like without risk of getting buried in layers of hierarchy.

Mount Gay Rum Navigation

Footer


Before:

I don’t have a lot to say about the old footer. It works, and was very much in the background, as we expect from most site footers. It could have done more, though. Screen shot 2013-02-21 at 11.26.56 AM

After:

As an obviously product-centric site, it is important to make product information as accessible as possible. At the risk of overdoing site navigation (if possible), the secondary navigation is visually presented at the bottom of the site (with some fun rollover states), and the primary navigation links are reiterated in the footer as well.
Mount Gay Rum Footer

Legal, and other links you never click


Before:

Oh boy. Café menu? Scrolling page within a modal? What else can we cover the site content with?
Mount Gay Rum Old Legal

After:

As they say, “you can’t polish a turd.” The best one can do with legal content, in my opinion, is to do away with anything too fancy (see above), and keep it out of the way of content as much as possible. Usually these links open a modal or new window that separates you from the page. A cheeky approach in this new design is to bury it below the footer. Yes, if you accidentally click one of these “fine print” links, the site extends below the foot and you are scrolled down a bit to let you know that what you seek is in the abyss. There is a nice big “X” button to collapse this content when you’re finished with it.
Mount Gay Rum New Legal

“Story sections”


Before:

The old site was literally a book. You had to flip through every page to get through the website, or jump around with their Table of Contents navigation bookmark thing. This was not conducive to skimming, which is the default behavior for almost everyone jumping from page to page on the Internet. Screen shot 2013-02-21 at 11.28.15 AM

After:

As I started to explain in Navigation, the new content is structured in chapters akin to the skeuomorphic book approach, but instead of requiring a linear path to each piece of content, the story is boiled down to four main “chapters” (plus a visit section). These chapters slide open when you want to read one, and don’t go anywhere while you’re reading. At the bottom of one chapter, is the introduction to the next, which will expand open on click. Mount Gay Rum story sections

Visit Us / Distillery Tour Info


Before:

There isn’t much to say about the content, except that once again, it was well-hidden. At the Visit part of the old “book” site, you have to click to pull up a skeuomorph-brochure with several pages within.
Screen shot 2013-02-21 at 11.27.20 AM

After:

Although you might not think many people would go to this site and book a trip to the distillery, analytics did show a majority of visitors being referred here from travel sites – many people touring Barbados were Googling things to see! So, in an effort to get straight to the point, and keep everything accessible, I recommended very minimal content, no collapsing function, and a printable PDF download for those who want more info and something to-go. Visit Mount Gay Rum

Interactions

I congratulate anyone that has read this far, and will spare you dozens of screen shots for different clicking states and animations. If you’re curious about some of the really divergent features (compared to the old site), check out the cocktails or Contact Us.
Mmm… the traditional Manhattan
Cocktails

If you just scrolled past all the pictures and arrived here at the bottom of the page, please take a second to read this summary and acknowledgement:

The visuals that you see while experiencing the site, the words that you read, and the fact that it loads on your computer is all the work of someone other than me. How it is organized, the fact that it works on your phone and desktop, and the bits of interactivity are more representative of my role. My concepts could not have been refined, visualized, or put into working code had it not been for the efforts of an entire team. I feel privileged to work where I do, and appreciate the constructive reviews along the way that have guided my crazy wishes and expectations into something practical.

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